I'm in the middle of refreshing my portrait portfolio by shooting with some excellent humans - film-maker Ben Mourra of Screencult was the first brave volunteer to surrender himself to my lens. We played with the deep shadows and lovely window light in his live-work space and he generously gave me time to revisit some studio lighting mix-ups that I wanted to try.
Showing posts with label portraits. Show all posts
Showing posts with label portraits. Show all posts
30 Jan 2018
0 commentsFranzi I
Labels: artist, colour, Franzi Ehmer, my work, Olympus, portraits, tattooFranzi is a visual artist, tattooer and a warm and wonderful human. She tattoos at KInk in Peckham or at Sydenham Ink and you can reach her through either of those places, on Instagram, or on Facebook.
She also recently appeared in an ad for Rimmel London's new Ink Me range of stamps and temporary tattoos, doesn't she look glam!
For the rest of this extremely occasional series, click here...
13 Jul 2017
0 commentsDan Ferguson
Labels: art, artist, black and white, Dan Ferguson, Olympus, painting, portraits
Dan is an extraordinary painter of swimming pools, places of memory, figures and families and is based in Northern Ireland. Check out his work online at danferguson.co.uk and see his process on Instagram.21 Apr 2017
1 commentsMorocco, part III: Oh I Do Like to Be Beside the Seaside…
Labels: colour, landscape, Morocco, my work, Olympus, portraits, seaside, surf, travel photography, travels, yoga
What was your seaside growing up? Mine was the quintessential South Coast English sort: gentle dunes, salty water, goose pimples (often), picnics behind stripey plastic windbreaks (always), games of cricket with my cousins, sandcastles, 99 flakes, seagulls, chips (lots of vinegar please) on the way home, and falling asleep gritty with sand and covered in freckles in the back of my mum’s Ford Escort to the tune of Paul Simon’s Graceland on repeat. Imagine the Famous Five filtered through Martin Parr and you’re about there.
Since then I’ve explored the top layers of the Great Barrier Reef, all be-rainbowed with tropical fish, and dipped from snowy river meltwaters into bath-hot sea on two sides of a Turkish peninsula. (Less romantically I’ve also forded hip high mud flats to freeze my lungs stiff on the Norfolk coast). I love swimming in fresh water and dip my toes into the paradise that is the Hampstead Heath Ladies’ Pond on a summer’s day with glee; but saltwater will always be my first love. It buoys you up, it heals your skin, it makes your hair mermaid-wavy with no effort, and gives you the ravening appetite of a hungry wolf.
In the case of the Moroccan Atlantic coast, the waves will also tumble you upside down like a gemstone in a barrel, leaving you gasping and giggling till the water runs back out of your nose. It will get inside your wetsuit so that after half an hour you have to run back up the beach to wave at Faizel the drinks man to warm your insides with some hot sweet mint tea (“Seulement un peu!” you must say as he waves both honey bottle and sugar jar at you). Luckily you’ll be attached to a surf board and practicing popping up in very baby waves, so at all times you’ll feel only enjoyably free and abandoned. The sun will be shining fiercely, filling you with vitamin D, but you’ll have your parasol ready stationed in the sand when it’s time for a nap, sketching, reading, or a snooze.
After my time in Marrakech I hopped on a bus and was driven through a whole lot of flat, semi-desert. In the distance, mountains loomed like cut-outs waiting to be flown onto a toy stage, resolving as we drew closer into voluptuous folds in shades of dust, newsprint, and sepia. From Agadir I was transported by taxi through a warm night that smelled faintly and pleasantly like fish, Jess Glynne and Clean Bandit on the car radio (“plus fort” I yelled and he turned it right up), to arrive at Marocsurfcamp in Tamraght.
I’d signed up to their six-day surfing and yoga retreat and it was bloody brilliant. Tamraght is just a little further away from the main centre of surfing in the area, Taghazout, and as such has more of a village-y feel. Evening walks would cross paths with kids leaving school, women popping to the corner shop for a tin of cat food, families playing together or teenagers snatching a quiet moment to canoodle as the sun set.
Everything is a little ramshackle; lots of building and landscaping is happening all along the coast and I bet if I went back in a year or two everything would be shinier. Luckily for me, I caught it at the perfect level. There are enough surf lodges that you don’t stand out, but locals aren’t sick of tourists yet and so you can exchange a nod and "salaam" with the older men, wave cheerily at the women prepping dinner, and make google eyes at the babies to your heart’s content.
The camp itself is lovely; a rooftop yoga studio allowed me to stretch out every morning as the sun rose around me; Khadijah (pictured below admiring the view of the sunset from our terrace) and Fatema in the kitchen spoiled us all rotten with three delicious meals a day (and unending supplies of tea and cheer); the instructors (the two Mehdis, one below assessing conditions!, and Said) were patient, good-humoured, and lots of fun to be around.
After only 24 hours with the other guests I knew I’d made some true friends. (Jesse, Asa, Alex and Marine, below, to name just four).
We travelled to different beaches each day depending on our mood and that of the wave gods, picnic lunch packed, stopping off to buy massive bunches of very tiny bananas to keep us well-fuelled.
In the evening I walked a few minutes down the road to Villa Solaria where Lena (below) led another yoga class on a terrace overlooking the sea itself.
After a much-needed series of flow sequences, hip and shoulder openers and that all-important time in shavasana I would potter back to tagine, kefte, baked fish, or whatever delight had been prepared that night. Exhausted by our efforts we lazed around post dinner chatting, reading, writing journals, before retiring to do it all again the next day. Little excursions to the souk in Agadir and for a second lunch of fried fish and coffee in the ‘bustling metropolis’ (ha!) of Taghazout kept everything varied and despite not sleeping all that well I’ve never felt more relaxed. Some views of Taghazout below...central London at rush hour it ain't.
This is Momo, who works at La Terrasse d'Argana in Taghazout. I admired his lightbulb plant holders (below) and when he brought our coffee over he also made me a gift of one! In return I made his portrait. Do visit the cafe, which has fantastic views (above).
As someone who isn’t naturally very sporty or well-balanced I enjoyed the surfing itself way more than I was expecting - and yes, I managed to stand up a few times!
The sole cloudy morning meant Jesse and I could take a little stroll up Devil's Rock and make a canine pal. Don't worry, the sun came out about ten minutes later...

I didn’t take as many photos during my time at the coast because I was feeling too damn lazy to pick up my camera. This is in fact an ideal state of affairs for one’s holidays (but perhaps not for one’s blog posts!). For phone snaps and Johnny-on-the-spot reports, scroll back through my Instagram feed.
Can you see why I didn’t want to come home?
Check out the other packages the camp offers here, and do contact owner Maria with any questions. She was extremely helpful beforehand (it was especially brilliant to know I would be picked up from the bus station and dropped off at the airport).
If Morocco isn’t your bag, see where else your yoga could take you…I booked initially through BookRetreats and they also come highly recommended with a prompt and personal query service and easy search tools.
And then all that’s left is for you to book your flights!
20 Apr 2017
2 commentsMorocco, part II: Marrakech's Souk de teinturiers
Labels: colour, dyers market, Marrakech, Marrakesh, Morocco, my work, Olympus, portraits, souk de teinturiers, travel photography, travels
The souk de teinturiers or dyers' market is hard to find. I mean, that could be said for much of Marrakech (as someone who muddles up left and right even at home I found myself thanking the Google gods that I could occasionally access a map). Persevere in seeking it out and you'll be rewarded with two or three little streets where a very old craft still thrives among the stalls of neon pompom-ed straw bags and shoes that could have been made in China.
The dyers used to occupy much more space here in the medina but as demand for handmade goods has dwindled, so have their numbers. Hidden down an alleyway, you'll find walls painted with handprints and running with water from dripping skeins of wool hanging overhead.
You'll get a harder sell here than elsewhere in the market and the workers hauling steaming hanks of material in and out of dye pits will actively dissuade you from taking photos - which is, of course, fair enough! Wander about and breathe deep and you'll get a noseful of wet sheep that'll take you back to autumn days in your school blazer. Fill your eyes with the vivid sight of bowls of pigment powder all made from natural materials - poppy seed, something that looks like lapis, ochre.
In my case, you'll also get chatting with one dyer who invites you in for a closer look at the process and thinks you very funny as you bend to snap a picture of his battered gold teapot and fuzzy tv screen filled with aerial snow.
Suddenly you'll have made a human connection and he'll be more than happy for you to capture his portrait.
He will wave you on your way after showing you the deep egg-yolk yellow cotton he's dip-dying today and you'll leave with a greater appreciation of the web of artisans that used to run this trade - from the farmers raising and shearing the sheep, to the spinners and dyers processing the wool, to the weavers and tailors and rug makers that made the beautiful shawls and rugs you can still find elsewhere in the souk.
20 Mar 2017
0 commentsSatinder Chohan
Labels: colour, portraits, Satinder Chohan, Tamasha Theatre, theatre, work for clients, writing
Looking through my archives this week I couldn't believe that I'd never posted these images of writer Satinder Chohan. I love working with natural light and with my trusty 50mm f1.8 lens and this shoot was just the perfect example of why I think simple is best.
Shot on commission for Tamasha Theatre, they're some of my favourite portraits ever. Not to blow my own trumpet - much of this is down to Satinder's natural charisma and beauty - but there is also something a little bit Leibovitz about the lighting here. Just goes to show that ingenuity goes a long way, since Satinder and I had limited time together and we found a black builder's hoarding as a backdrop for our shoot in the Docklands!
The light was that perfectly crisp yet refracted winter sun, bouncing off buildings to wrap and define her striking features (and her incredible hair, which reaches to her knees and shines like silk).
I also shot promotional and rehearsal images for Satinder's powerful drama about modern motherhood and the politics of surrogacy, Made in India, which is currently touring and getting great reviews so do catch it if it's at a venue near you.
15 Feb 2017
0 commentsLunch and linocuts
Labels: colour, linocutting, my work, Olympus, portraits, prints
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